2014-2015 China Film Industry Report (In Brief)

  • Type:Annual
  • Pages:100+
  • Charts:100+

1 OVERALL SITUATION ANALYSIS OF CHINA’S FILM INDUSTRY IN 2014

1.1   ENVIRONMENT ANALYSIS OF CHINA’S FILM INDUSTRY

1.1.1 Policy environment: Diversified policy support boosted leapfrog growth of the film and TV industry 1.1.2 Economic environment: capital participation upgraded, Internet renovated the film and TV industry chain

1.1.3 Social environment: audience grew rapidly, youths born after 1990 became the major force

1.1.4 Technical environment: overseas post-production teams entered China and sped up the development of domestic high concept films .

1.2 CHINESE FILM BOX OFFICE MARKET ANALYSIS

1.2.1 Total box office revenue of Chinese films

1.2.2 Comparison of box office between domestic and imported films in the Chinese film market

1.2.3 Copyright revenue of Chinese films

2 STUDY OF CHINESE FILM PRODUCTION INDUSTRY IN 2014

2.1 OVERVIEW AND ANALYSIS OF CHINESE FILM PRODUCTION IN 2014

2.1.1 Total output of Chinese films in 2014

2.1.2 Genre analysis of Chinese film market in 2014

2.1.3 Domestic VS imported film analysis for 2014

2.1.4 Analysis of Chinese special films in 2014

2.1.5 Market analysis of Chinese co-production films in 2014

3 STUDY OF CHINA’S FILM DISTRIBUTION INDUSTRY IN 2014

3.1 OVERVIEW OF CHINA’S FILM DISTRIBUTION MARKET IN 2014

3.1.1 Distribution market share of China’s film enterprises in 2014

3.1.2 Distribution performance concentration degree analysis of China’s film enterprises in 2014

3.1.3 Market subject analysis of China’s film distribution industry in 2014

3.2MARKETING AND DISTRIBUTION OF CHINESE FILMS IN THE INTERNET AGE

3.2.1 Film online marketing overview

3.2.2 Typical film online marketing company analysis

3.2.3 Development stage and characteristic analysis of Chinese film online marketing

3.3 CHINESE FILM’S DISTRIBUTION TREND ANALYSIS

3.3.1 E-commerce of film tickets penetrates deeply into film propaganda and distribution sector

3.3.2 Online theater chain initiates online distribution of Chinese films

3.3.3 Film marketing intensified on mobile terminals

3.3.4 Ground network distribution competition accelerates integration of distribution companies

3.3.5 Emerging Wuzhou distribution model

3.4 CHINESE FILM MARKETING MODEL AND CASE ANALYSIS OF 2014

3.4.1 Breakup Buddies --- Internet marketing experiment with e-commerce playing a leading role

3.4.2 Transformers: Age of Extinction --- brand advocated cross-over marketing

3.4.3 The House That Never Dies --- Radioactive spreading of subsject marketing

3.4.4 Gone With The Bullets --- hunger marketing, overdone is worse than undone

3.4.5 Fleet of Time --- emotional marketing hit the resonance point

3.4.6 One Hundred Thousand Bad Jokes --- IP marketing plus fans economy

4 STUDY OF THEATER CHAINS OF CHINA’S FILM EXHIBITION INDUSTRY IN 2014

4.1 OVERVIEW OF CHINA’S FILM THEATER CHAINS IN 2014

4.1.1 Market overview

4.1.2 Dimension analysis

4.1.3 Concentration degree analysis

4.2 THEATER CHAIN MARKET ANALYSIS IN 2014

4.2.1 Market characteristics of China’s theater chain

4.2.2 Market performance of Chinese film theaters

4.3 TYPICAL THEATER CHAIN ANALYSIS

4.3.1 DADI DIGITAL CINEMA

4.3.2 Wanda Cinema Line

4.3.3 Omnijoi

4.3.4 Sichuan Pacific

4.4 DEVELOPMENT TREND ANALYSIS OF CHINA’S THEATER CHAINS

4.3.1 The first stock of theater chain was listed, theater chain concentration will be further accelerated

4.4.2 Online theater chains are coming into play, film producers open up video broadcasting channels

4.4.3 Theater chains participate content production and bind relevant parties of the industry chain

5 STUDY OF THEATERS OF CHINA’S FILM EXHIBITION INDUSTRY IN 2014

5.1 OVERVIEW OF CHINA’S FILM THEATER DEVELOPMENT IN 2014

5.1.1 Development of number of theaters and screens in China in 2014

5.1.2 Development of number of digital screens in China in 2014

5.1.3 Development of number of 3D screens in China in 2014

5.1.4 Development of number of IMAX screens in China in 2014

5.1.5 New technology development of China’s theaters in 2014

5.2MARKET OVERVIEW OF CHINA’S THEATERS IN 2014

5.2.1 Box office distribution of different grade of theaters in China in 2014

5.2.2 Operation efficiency analysis of China’s Top 100 theaters in 2014

5.2.3 Analysis of box office top 100 theaters in China in 2014

5.3 STUDY OF DEVELOPMENT STATUS OF E-COMMERCE OF CHINA’S THEATERS IN 2014

5.3.1 Analysis of development status of e-commerce of China’s theaters

5.3.2 China’s online ticket selling market scale in 2014

5.3.3 Development trend of e-commerce of China’s theaters

5.4ANALYSIS OF DEVELOPMENT STATUS OF CHINA’S THEATERS

5.4.1 Theater construction level goes down, drive non-first-tier film watching growth potential

5.4.2 High commercial value of member data, differentiated brand competition

5.4.3 Internet penetration speeds up, online and offline interactive film watching becomes a new direction

6 THEMATIC RESEARCH: STUDY ON BAT’S ENTRY INTO THE FILM AND TV INDUSTRY

6.1 DEVELOPMENT OVERVIEW AND CHARACTERISTICS OF BAT

6.1.1 Development background

6.1.2 Development overview

6.1.3 Develop new models

6.1.4 Development performance

6.2 BAT FILM BUSINESS ANALYSIS

6.2.1 Analysis of Baidu’s entry into the film and TV industry

6.2.2 Analysis of Alibaba’s entry into the film and TV industry

6.2.3 Analysis of Tencent’s entry into the film and TV industry

6.3 FUTURE INFLUENCE OF BAT ON THE FILM INDUSTRY

6.3.1 Innovation in industry chain links

6.3.2 Pre- and post-industry value chain release

6.3.3 Speed up Internetization and industry integration of film and TV companies

7 STUDY OF CHINA’S FILM SCHEDULE IN 2014

7.1 2014 MONTHLY FILM MARKET ANALYSIS

7.1.1 2014 monthly box office champion

7.1.2 Monthly box office trend of Mainland China in 2014

7.1.3 Schedule characteristic analysis of 2014

7.2 CHINA’S KEY SCHEDULE ANALYSIS OF 2014

7.2.1 Summer schedule characteristic analysis

7.2.2 Characteristic analysis of National Holiday schedule

7.2.3 Characteristic analysis of Lunar New Year

7.3ANALYSIS OF OTHER SCHEDULES OF CHINA’S FILM MARKET

8 IMPORT AND EXPORT OF OVERSEAS COPYRIGHT

8.1 IMPORT OF OVERSEAS COPYRIGHT IN CHINA’S FILM MARKET IN 2014

8.1.1 Summary of box office of imported films in 2014

8.1.2 Characteristics of imported film market in 2014

9 INTERNATIONAL FILM MARKET

9.1 GLOBAL FILM INDUSTRY OVERVIEW OF 2014

9.1.1 Analysis of global box office revenue in 2014

9.2 OVERVIEW OF THE FILM INDUSTRY IN NORTH AMERICA IN 2014

9.2.1 North American film market performance in 2014

9.2.2 Analysis of ranking and distribution companies of films screened in North America

LIST OF FIGURES

LIST OF TABLES

02/13/2017-02/19/2017
Movie Gross Admissions
xXx: The Return of...
Gross:US$71.35(M)
Admissions:13710160
Total:US$1011.13(M)
La La Land US$22.36(M) 4632819
Kung Fu Yoga US$15.65(M) 2943528
Duckweed US$14.31(M) 2888279
Sing US$11.74(M) 2372093
Revengre for Love US$7.71(M) 1729258
Love Contractually US$7.38(M) 1524450
The Game Changer US$4.71(M) 1004013
Cook Up a Storm US$4.47(M) 924590
Journey to the Wes... US$4.44(M) 819079